When Lorne Michaels set out to shake up the late-night television landscape with "Saturday Night Live," there were certain, long-standing traditions he was willing to observe. One of those was the assemblage of a house band. Though the show wasted no time filling America's living rooms with the provocative music of Gil Scott-Heron, Jimmy Cliff, and Frank Zappa, the Saturday Night Live Band was an impressive if unexciting assortment of solid session musicians. And the man who brought them together was a then relatively unknown composer named Howard Shore.

The Toronto-born Shore had the inside track to the gig thanks to a friendship with Michaels that stretched back to summer camp. But while Shore had made a name for himself via the jazz fusion band Lighthouse and his score for magician Doug Henning's popular stage show "Spellbound" (which eventually transferred to Broadway as "The Magic Show"), he wasn't overly connected to the community he had to mine for band members. Add in the fact that "SNL" was a brand new show debuting in a time slot that conflicted with its target audience's nocturnal shenanigans, and Shore had his work cut out for him.

A Long, Strange Trip From Blues Brothers To Hobbits

As Howard Shore told Tom Shales and James Andrew Miller for their epic "Live from New York: The Complete Uncensored History of Saturday Night Live as Told By Its Stars, Writers and Guests," he literally played the hiring of the band by ear. "I'm an avid collector of music and of jazz and R&B," said Shore. "And I just called people I'd listened to on records."

Many of these artists were based in New York City, so Shore — confident he could cobble together a reasonably talented band — got straight to work. The first order of business was to not replicate Doc Severinsen's sound for "The Tonight Show":

"I started to put the band together, started to write original music for the show, themes and original music for the band itself. The Carson show was big-band music. Although I sort of grew up in that a bit in the '50s — Glen Miller and Ellington and Basie I listened to — the big-band thing was not really my generation. My generation was more R&B and rock and roll."

Shore also reached out to fellow Canadian Paul Shaffer, who'd worked with Gilda Radner in the Toronto production of the musical "Godspell." With the addition of such formidable musicians as "Blue" Lou Marini, Tom "Bones" Malone," and Alan "Mr. Fabulous" Rubin," they leaned into an R&B sound that agreed with cast members Dan Aykroyd and John Belushi, thus leading to the formation of The Blues Brothers Band.

Shore left the show in 1980 and committed to his career as a film music composer. His eerie orchestral compositions for David Cronenberg's films somehow convinced Peter Jackson he was the man to write the epic themes of "The Lord of the Rings." It's a long way from Studio 8H to Middle-earth, but Shore traversed this distance as if he'd been pointed there all along.

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The post How Lord of the Rings Composer Howard Shore Built The Original Saturday Night Live Band appeared first on /Film.